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		<title>Too Much</title>
		<link>https://www.wordsinprogress.at/too-much/</link>
				<pubDate>Mon, 04 Jun 2018 09:25:36 +0000</pubDate>
		<dc:creator><![CDATA[Christine Kolacio]]></dc:creator>
				<category><![CDATA[General]]></category>

		<guid isPermaLink="false">https://www.wordsinprogress.at/?p=51481</guid>
				<description><![CDATA[<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/too-much/">Too Much</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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				<div class="et_pb_text_inner"><h1></h1>
<h1>Too Much</h1>
&nbsp;

<i>“Start by doing what’s necessary; then do what’s possible; and suddenly you are doing the impossible” St. Francis of Assisi</i>
<h3></h3>
<strong>My To-Do list keeps getting longer, and new requests seem to fly in from all directions, piling up on my desk and on my shoulders. Perhaps it’s a common scenario for teachers at this time of year, when the burden of the past semester becomes particularly heavy; this year, however, I’m feeling particularly overwhelmed.</strong>

“Overwhelmed” is such a violent, aggressive<span class="Apple-converted-space">  </span>word, isn’t it? It feels like being run over by a truck or overcome by a tidal wave, and totally losing control over one’s body and emotions. If I look at the German translation, I find “überwältigt”, which indicates a similar feeling, though a far tamer word, “überfordert” (overburdened), is more commonly used in this context. Why? Are German speakers in better control of their schedule and emotions? The Italians and the French, on the other hand, use words similar to the English, such as “travolto” (run over) and “sopraffatto”<span class="Apple-converted-space">  </span>(overpowered) in Italian and “accablé (overcome, oppressed) and submergé (submerged) in French. Isn&#8217;t it interesting how language can not only be used as a tool to express our emotions but also influences them?

I’ve tried to keep track of the sensations I experience as I wallow in the acute discomfort of this situation:<span class="Apple-converted-space"> </span>

My <b>sleep</b> is affected, as I regularly wake up at 3 a.m. and mentally shuffle around the priorities on my long list of projects, which seem even less manageable in the silence of the night;

My desk is in a state of chaos, as I “temporarily” lay important papers there until I have time to file them or deal with them. This<b> physical clutter</b> significantly increases my level of anxiety until I lock myself in my study and binge on accounts and paperwork, vowing that never again will I allow myself to reach such depths of agony and that from now on, each piece of paper will be attended to the moment it is received;

<b>Anxiety levels</b> peak and I’m left not knowing which project to tackle first: worry distorts the glasses through which I see the world, so that I’m unable to discern priorities and everything feels like it needs to be done… IMMEDIATELY!<span class="Apple-converted-space">  </span>I live in constant fear of missing a deadline or forgetting something important;

I <b>procrastinate</b> with useless or irrelevant tasks, like trying out a new recipe, binge-watching a series, or washing all the curtains. Procrastination, defined as the postponement to tomorrow of something which should be done today, may turn into a highly damaging behaviour and has several explanations, some of the principal ones being, in my opinion, fear of one’s own perceived incompetence and inability (or unwillingness) to expose oneself to the necessary degree of discomfort required to get the job done;

I’m so overwhelmed that I <b>shut down entirely</b>, unable to heed my own advice of starting somewhere and just plodding along until the last chore is completed. This is the most dangerous phase, where even the simplest task seems to require superhuman energy and strength and takes ages to finish.

This week I’m afraid I have no practical list of “Tips” to make short work of your To-Do list or to deal with the sense of being inundated by commitments. I think we each need to wade through our own swamp of obligations which the outside world attempts to impose upon us, or which we sometimes accept through our inability to say “No!”

I took a bit of a break this past weekend, spending time with friends, catching up on sleep, and doing just the minimum amount of work. A fresh week starts today and I hope to face it with renewed energy and a more realistic view of just how much I can accomplish on any given day.<span class="Apple-converted-space">  </span>In addition to the urgent tasks clamouring for my attention, I plan to sprinkle in a few long walks, a deep breath or two, and several moments each day to reflect on everything I <i>have </i>accomplished, and then focus on the steps I can take today in order to fulfil those projects which still seem impossible.<span class="Apple-converted-space"> </span>

May I ask how you deal with your personal “too much”?

&nbsp;

&nbsp;

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<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/too-much/">Too Much</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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		<title>Confronting an Empty Page: How to Write When Inspiration Forsakes you</title>
		<link>https://www.wordsinprogress.at/confronting-an-empty-page-how-to-write-when-inspiration-forsakes-you/</link>
				<pubDate>Mon, 21 May 2018 05:52:38 +0000</pubDate>
		<dc:creator><![CDATA[Christine Kolacio]]></dc:creator>
				<category><![CDATA[Communication]]></category>
		<category><![CDATA[Emotions]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">https://www.wordsinprogress.at/?p=51478</guid>
				<description><![CDATA[<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/confronting-an-empty-page-how-to-write-when-inspiration-forsakes-you/">Confronting an Empty Page: How to Write When Inspiration Forsakes you</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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				<div class="et_pb_text_inner"><h1></h1>
<h1>Confronting an Empty Page: How to Write when Inspiration Forsakes you.</h1>
<h3></h3>
<h3>“This is how you do it: you sit down the keyboard and you put one word after another until it&#8217;s done. It&#8217;s that easy and that hard.&#8221; Neil Gaiman</h3>
&nbsp;
<h3> Staring at an empty page, that seems to get bigger, more desolate and blank and impossible to fill the longer I wait;<span class="Apple-converted-space"> </span>panic sets in, as my assignment is due tomorrow, and I’ve been thinking about it for a week now but somehow my ideas have run dry, my imagination has taken a holiday, and my motivation is… unmotivated.</h3>
Do you perhaps recognise the situation I’ve just described? Have you ever asked yourself what on earth you should write and how you are going to produce a coherent text when you lack inspiration?

Well, I must confess to being a victim of this predicament this evening, as I sit down to write my weekly blog article, which I’m committed to publish on Mondays. I had jotted down some notes on a topic I was interested in a few days ago, but they were somehow swallowed up by the chaos of my desk and now I’m left completely alone: the uninhabited page and me. So I thought perhaps we could face this common terror together, and try to find a way out of it. I have a stock of strategies I’ve learned to rely on when I’m stuck; curiously, there isn’t a single one that works consistently, which is why it’s useful to have more than one arrow in my quiver (i.e. different strategies to use in solving a problem).

One thing that often helps me begin to write is having some sort of outline, even just a list of thoughts; I know that each point will correspond to about a paragraph, which I can then shuffle around until I find the most logical order.<span class="Apple-converted-space">  </span>Sometimes, however, an outline can restrict the free flow of thoughts, so don’t hesitate to skip it and allow yourself to start writing, stream of consciousness, anything vaguely related to your topic. What’s really important in this first phase is to overcome the block and fill the page with words, any words.

Dr. Brené Brown, who researches and writes about shame and vulnerability, author of several books and an excellent TED Talk, encourages us in <i>Rising Strong</i> to write “unedited, uncensored narratives of our lives”, and quotes the advice of another author, Anne Lamott:

“The only way I can get anything written at all is to write really, really sh*tty first drafts. The first draft is the child’s draft, where you let it all pour out, romp all over the place, knowing that no one is going to see it…” &#8211; Anne Lamott, <i>Bird by Bird </i>(quoted in B. Brown, <i>Rising Strong</i>)<span class="Apple-converted-space"> </span>

Sometimes, the lack of pressure and judgement of a “Sh*tty First Draft” is exactly what we need to build momentum. If it’s sh*tty, it’s not supposed to be perfect. The editing phase will come later, once the fear has subsided;<span class="Apple-converted-space">  </span>and often we’ll be surprised to discover that most of what we’ve written can be saved, once it’s been cleaned up a little!

A good way of practicing stream of consciousness writing is by keeping a journal. The discipline of regularly confronting our thoughts on paper is a great help in overcoming that terror of the blank page.<span class="Apple-converted-space">  </span>Julia Cameron, in her book <i>The Artist’s Way</i>, suggests the practice of writing “Morning Pages”, which are three pages of longhand writing to be done possibly first thing in the morning. (More about this here: <a href="http://juliacameronlive.com/basic-tools/morning-pages/">http://juliacameronlive.com/basic-tools/morning-pages/</a> ). I did this for a few months last summer and found that the act of sitting down to write and reflect each morning brought a heightened sense of awareness that flowed on into the rest of the day.

Furthermore, there’s no rule that states that we have to start writing from the beginning and follow through to the end. If you’re stuck with one bit, skip it and tackle another. Some thoughts are harder to express than others: even in speaking, we often jump forward or return to something we’ve already said and rephrase it or add details or depth. It’s natural to follow this method when we write, as well. In the editing phase, we can make sure we have a more linear structure, which is easier for the reader to follow.

If none of these strategies work, it might be time to get up and do something else. As a master-procrastinator, this piece of advice is rather dangerous for me to follow, as I often find myself inventing tasks to avoid working on what needs to be done. However, inspiration may hit while you’re taking a walk in the woods, having a heart-to-heart chat with a friend, even choosing a new pair of shoes.<span class="Apple-converted-space">  </span>When I have an article or paper due, I often keep a pad of paper and a pen on my nightstand, as I sometimes wake up in the middle of the night with a brilliant new idea or the perfect conclusion: if I don’t write it down immediately, it’ll be lost by morning.

This short article didn’t seem to want to come to life just an hour ago, but we’ve reached the end, together. Once you get going, words and thoughts just seem to follow one another. There is a popular saying in food-obsessed Italy which is rather appropriate here: “<i>L’appetito vien mangiando</i>”, your appetite will develop as you eat. Write, and you’ll be hungry for more!

&nbsp;

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<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/confronting-an-empty-page-how-to-write-when-inspiration-forsakes-you/">Confronting an Empty Page: How to Write When Inspiration Forsakes you</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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		<title>10 Tips to Make your Writing Shine &#8211; Part 2, Style</title>
		<link>https://www.wordsinprogress.at/51469/</link>
				<pubDate>Mon, 14 May 2018 07:28:24 +0000</pubDate>
		<dc:creator><![CDATA[Christine Kolacio]]></dc:creator>
				<category><![CDATA[Communication]]></category>
		<category><![CDATA[Writing]]></category>

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				<div class="et_pb_text_inner"><h1> 10 Tips to Make your Writing Shine &#8211; Part 2, Style</h1>
&nbsp;
<h3> &#8220;Writing is the painting of the Voice&#8221; &#8211; Voltaire</h3>
&nbsp;
<h3> <b>This week I’d like to address the more elusive topic of style, which is as personal as it is important. Our moods, emotions, opinions, and even our personalities come across in our writing; through our technique, we can successfully steer our thoughts in the direction we prefer. Voltaire’s words which introduce this article perfectly express the nature of writing: our words are a verbal work of art.</b></h3>
Last week, I published my first five basic tips to help your writing really stand out. These related to the more structural elements of writing. You can check out last week’s blog post for more details. However, to quickly recap, they were…

1. <b>Check your spelling, punctuation, grammar, and syntax.</b>

2. <b>Use any available resources, but remember: all translations are not created equal!</b>

3.<b> Pay close attention to the type of text you are writing.</b>

4<b>. Choose your register, or level of formality, carefully.</b>

5. <b>Know your audience: whom are you writing for?</b>

&nbsp;

And now, here are some of the key stylistic elements to consider when writing:

6.<b> Keep it simple.</b>
<ul>
 	<li><b>Avoid Wordiness: </b>Contrary to other languages, elegance in English writing is achieved by a crisp, clear style, where redundant and excessive words (called “wordiness”) are avoided.<span class="Apple-converted-space"> </span></li>
</ul>
<span class="Apple-converted-space">    </span>For example: “<i>Mary became better at being able to establish the defendant’s alibi</i>”. This<span class="Apple-converted-space"> </span>sentence contains too many redundant words and is confusing for the reader. It would be better to write: “Mary could better establish the defendant’s alibi”.
<ul>
 	<li><b>Keep your sentences short: </b>In many languages, sentences tend to run on for half a page and contain numerous key concepts. There is the constant risk of losing one’s way and needing to return to the beginning and re-read the same passage. In English, sentences tend to contain one key concept and are quite linear in their structure and easy to follow. This simplicity should not be confused with a lack of sophistication: on the contrary, complex concepts are addressed using specific vocabulary and a clear, essentialist style. In academic writing, the topic sentence will generally occur at the beginning of the paragraph, allowing the reader to more easily scan for gist.<span class="Apple-converted-space"> </span></li>
</ul>
<b>7. Edit like there’s no tomorrow.</b> Stephen King said: “To write is human, to edit is divine.” Allow your words to tumble onto the page at first, without too much restraint. Next, put some distance between yourself and your text, letting your first draft sit for a while. Once you return to it, read it with a critical eye and a merciless pen! Check for spelling and grammar mistakes; follow the thread of your thought throughout your sentences and make sure it is coherent. I find that reading my own written work out loud really helps me to spot mistakes and inconsistencies: a patient friend may serve the same purpose. When in doubt, try reformulating your thought in a clearer fashion; if that doesn’t work, eliminate it. If you are confused by what you’ve written, your reader will be clueless.

<b>8. Take pride in your writing. </b>This is one of the concepts that is nearest and dearest to my heart. Writing, even writing an essay for class or a short note, is a highly creative act, an expression of the author’s soul. (Yes, OK, that might sound like an exaggeration, but I really believe that the written word wields tremendous power!) I’d urge you to care deeply about the words you put on paper, to let them speak for you and to make you proud!

<b>9. Dare to experiment. </b>Experiment? Being urged to experiment after having been told to edit mercilessly doesn’t seem to make much sense, but in order to develop as a writer, we need to be ready to go beyond the proverbial comfort zone, beyond the types of text and turn of phrase we are familiar with. Words are like plasticine: we can model them into an infinite number of combinations to express our every thought and emotion. Play with them, listen for interesting sound combinations, for unusual rhythms that might support your intention. Use metaphors and analogies to illustrate your point. Be free! And then, if your freedom has led you too far from your original path, you can always retrace your steps and edit out some of the failed experiments, but you will still be transformed as a writer: you will have dared to venture into new and unchartered territory, having grown as a result of the experience.<span class="Apple-converted-space"> </span>

<b>10. Find your voice.</b> Just as we do when we speak, we present ourselves to others in our writing as well. I believe that important questions to ask ourselves regard our identity as writers: “Who am I as an author? How do I want to come across to my readers? Though I’m not advocating we all strive to become the next Goethe or Shakespeare, authors whose writing was immediately identifiable, I believe that having reflected upon our identity as writers will allow our thoughts and opinions to come across more clearly on paper.<span class="Apple-converted-space">  </span>Finding and developing our voice is a process that reflects our own evolution and will accompany us throughout our lives.<span class="Apple-converted-space"> </span>

Hoping that you may be inspired to try out something new in your writing this week, or that you have gone a step further in gaining awareness of who you are as an author, I’ll close for now. Don’t hesitate to continue the conversation in the comments below. Happy writing!

Other interesting articles about writing:

&#8220;Be a Better Writer in 15 Minutes&#8221; (Ted-Ed)

<a href="http://blog.ed.ted.com/2014/05/29/be-a-better-writer-in-15-minutes-4-ted-ed-lessons-on-grammar-and-word-choice/"><b>http://blog.ed.ted.com/2014/05/29/be-a-better-writer-in-15-minutes-4-ted-ed-lessons-on-grammar-and-word-choice/</b></a>

“Overused adjectives” (Grammarly)

<a href="https://www.grammarly.com/blog/common-adjectives/?utm_source=Facebook_org&amp;utm_content=&amp;utm_medium=social&amp;utm_campaign=cleanwriting&amp;utm_id=R9XpyOCS4oHt7O"><b>https://www.grammarly.com/blog/common-adjectives/?utm_source=Facebook_org&amp;utm_content=&amp;utm_medium=social&amp;utm_campaign=cleanwriting&amp;utm_id=R9XpyOCS4oHt7O</b></a>

“24 Quick Tips that will Improve your Writing” (Grammarly)

<a href="https://www.grammarly.com/blog/writing-tips/?utm_content=&amp;utm_source=Facebook_org&amp;utm_medium=social"><b>https://www.grammarly.com/blog/writing-tips/?utm_content=&amp;utm_source=Facebook_org&amp;utm_medium=social</b></a>

“10 Grammatical Errors that Damage Credibility” (Grammarly)

<a href="https://www.grammarly.com/blog/grammatical-errors/?utm_content=&amp;utm_source=Facebook_org&amp;utm_medium=social&amp;utm_campaign=grammar&amp;utm_id=9vWChuoB6brm5f"><b>https://www.grammarly.com/blog/grammatical-errors/?utm_content=&amp;utm_source=Facebook_org&amp;utm_medium=social&amp;utm_campaign=grammar&amp;utm_id=9vWChuoB6brm5f</b></a>

“Everything you Should Know about Cleaning up your Writing” (Grammarly)

<a href="https://www.grammarly.com/blog/proofreading-tips-and-tools/?utm_content=&amp;utm_source=Facebook_org&amp;utm_medium=social&amp;utm_campaign=cleanwriting&amp;utm_id=5MVYhJnm9s0AkJ"><b>https://www.grammarly.com/blog/proofreading-tips-and-tools/?utm_content=&amp;utm_source=Facebook_org&amp;utm_medium=social&amp;utm_campaign=cleanwriting&amp;utm_id=5MVYhJnm9s0AkJ</b></a>

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<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/51469/">10 Tips to Make your Writing Shine &#8211; Part 2, Style</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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		<title>10 Tips to Make your Writing Shine &#8211; Part 1, Structure</title>
		<link>https://www.wordsinprogress.at/51463/</link>
				<pubDate>Mon, 07 May 2018 12:28:09 +0000</pubDate>
		<dc:creator><![CDATA[Christine Kolacio]]></dc:creator>
				<category><![CDATA[Grammar]]></category>
		<category><![CDATA[Writing]]></category>

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<h1>10 Tips to Make your Writing Shine &#8211; Part 1, Structure</h1>
<h3></h3>
<em>&#8220;Writing is an exploration. You start from nothing and learn as you go.&#8221; &#8211;  E.L. Doctorow</em>

<em>&#8220;Writing is easy. All you have to do is cross out the wrong words.&#8221; &#8211;  Mark Twain</em>
<h3></h3>
<strong>Few activities are as polarising as writing: a creative vehicle of expression for some, an unusually cruel form of torture for others, not many people remain completely indifferent when faced with a written task. The words we place on a page, to be read by others, are a form of communication just as powerful as those we speak, at times even more so; for this reason, they should be clear, well-chosen, and a joy to read.<span class="Apple-converted-space"> </span></strong>

Faced with piles of student work to correct each week, my reactions also sway from pure delight to absolute horror: I<span class="Apple-converted-space">  </span>often suggest my students take the same pride and care in their writing as they do in getting ready in the morning. Just as we try to look our best when facing the world on a new day, so should we feel confident that our best efforts are displayed on the page.

Having said that, what are the key things that make our writing great? Here are a few tips to help you get started; this week I’ll concentrate on structural aspects, leaving style for next week:
<ol>
 	<li><b>Check your spelling, punctuation, grammar, and syntax</b>.<span class="Apple-converted-space">  </span>These are the fundamentals of language, the very scaffolding that holds your thoughts together. If they are wobbly, even the most brilliant ideas won’t have much of an impact on your audience.<span class="Apple-converted-space"> </span></li>
</ol>
<ul>
 	<li><b>Spelling:</b> All computers are equipped with a spell-check tool: use it! Also, take time to memorise and distinguish between those frequently-confused words, such as they’re/their/there, it’s/its, to/too/two, or who’s/whose. Decide whether you are going to use British or American spelling and use it consistently. Check out this list: https://www.grammarly.com/blog/commonly-confused-words/</li>
 	<li><b> Punctuation:</b> The rules of punctuation change from language to language, as they follow the natural pauses in speech. The use of the comma (,) is especially problematic!</li>
 	<li><b>Grammar</b> mistakes, especially when made at higher levels, lower the overall standard of the text. Some of the most common mistakes are subject/verb agreement (eg. “All my friends is going to the party next week”) and tense errors (eg. “Yesterday I have taken my dog for a walk”).<span class="Apple-converted-space"> </span></li>
 	<li><b>Syntax</b>, the arrangement of words and phrases to create well-formed sentences, includes paying attention to word order, which differs substantially according to the language; run-on sentences that confuse the reader and lead nowhere; and incomplete sentences, perhaps missing the subject or verb. Re-reading the text out loud can help bring to light many of these problems.<span class="Apple-converted-space"> </span></li>
</ul>
2. <b>Use any available resources, but remember: all translations are not created equal!</b><span class="Apple-converted-space"> </span>

Dictionaries, whether online or old-fashioned, paper ones are any writer’s primary resource. A monolingual dictionary may be the best resource for more advanced students who are looking for the most suitable terminology. I personally rely on the thesaurus to supply me with synonyms while I write, but remember that it isn’t cardinal sin to repeat a word every now and then. Web resources such as “Grammarly” may also be very helpful tools to support your writing.

3. <b>What are you writing?</b><span class="Apple-converted-space"> </span>

Structures vary substantially between different kind of texts ( articles, essays, reviews, emails, reports…), and you should have a clear idea of how to organise your writing according to your task. It is not only the structure that varies with the kind of writing you are doing, but also the language you will be expected to use. This brings me to the next point…

4<b>. Register</b>

<span class="Apple-converted-space"> </span>What level of formality is required for the task at hand? Formal texts tend to avoid contractions and never include slang expressions. In the past, writers used the passive voice extensively in their formal writing; however, this is changing in favour of a greater use of the active voice, which sounds lighter and less stuffy and old-fashioned.<span class="Apple-converted-space"> </span>

5. <b>Know your audience: whom are you writing for?</b>

Having a clear idea of who your reader is, his or her level of expertise and competence, is vital, so you can target appropriately. For example, if you are a medical researcher writing for your colleagues in the medical profession, you can use a range and complexity of vocabulary that would be incomprehensible to the lay person.<span class="Apple-converted-space">  </span>Also, by keeping your readers well in mind, you can target your message specifically to their needs and interests.<span class="Apple-converted-space"> </span>

I hope this short checklist may prove useful as you work on the construction of your writing. I’ll publish stylistic tips, as well as links to useful resources, next week. Please stay tuned and don’t hesitate to address any questions in the comments. Happy writing!

&nbsp;

&nbsp;</div>
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<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/51463/">10 Tips to Make your Writing Shine &#8211; Part 1, Structure</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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		<title>Conquering the Monster: Overcoming the Fear of Communicating in a Foreign Language</title>
		<link>https://www.wordsinprogress.at/conquering-the-monster-overcoming-the-fear-of-communicating-in-a-foreign-language/</link>
				<pubDate>Mon, 30 Apr 2018 18:56:39 +0000</pubDate>
		<dc:creator><![CDATA[Christine Kolacio]]></dc:creator>
				<category><![CDATA[Communication]]></category>
		<category><![CDATA[Emotions]]></category>

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				<description><![CDATA[<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/conquering-the-monster-overcoming-the-fear-of-communicating-in-a-foreign-language/">Conquering the Monster: Overcoming the Fear of Communicating in a Foreign Language</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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<h1>Conquering the Monster: Overcoming the Fear of Communicating in a Foreign Language</h1>
<h3></h3>
<p>&nbsp;</p>
<h3>&#8220;Thinking will not overcome fear but action will.&#8221; &nbsp;&#8211; W. Clement Stone</h3>
<h3></h3>
<p>I’m scared of Math. It’s a deep, visceral fear, that triggers automatically whenever I’m confronted with the need for rapid and public calculations, and it’s held me back on numerous occasions. Are you familiar with the image of a deer unable to move, even to save its own life, as headlights rapidly approach? Perhaps you can relate with a fear of your own?</p>
<p>Fear paralyses us and stops us from accomplishing our goals, from communicating with those around us, and from experiencing life at its fullest. It may eventually take over our lives, limiting our sphere of movement to such a degree that we pull back, retreating into our shell and becoming an incomplete and frustrated version of ourselves.</p>
<p>On a par with Mathematics is the fear of communicating in a foreign language. Over the years, I’ve heard enough stories from my students of their horrific experiences with language-learning to realise that this fear exists in many people who seek support in improving their foreign language skills.<span class="Apple-converted-space">&nbsp; </span>I believe the primary source of this terror lies in negative or traumatic experiences with past teachers, who were either incompetent themselves, or who delighted in torturing their students with ridicule and an abusive red pen. Success in many parts of the world is equated with high marks, which imply the absence of mistakes and the faithful regurgitation of the information supplied by the teacher. But language is alive, in constant evolution, and a beautiful, creative act. It cannot be imprisoned by a wall of conjugations and syntax.<span class="Apple-converted-space">&nbsp;</span></p>
<p>The natural consequence of this dreadful habit of punishing mistakes is that learners of a language live in constant fear of being ridiculed by their instructors as well as their peers unless their grammar skills are perfect and vocabulary beyond reproach. In persons who tend towards a natural reserve or feelings of insecurity, and for whom spoken communication is difficult, even in their own language, this devastating cocktail of terrors has the power of shutting them down completely.<span class="Apple-converted-space">&nbsp;</span></p>
<p>The quote that introduces this article encourages us to overcome our fears by taking action rather than by thinking and obsessing over the fear itself; indeed, I’m convinced there is a series of actions we can take to conquer our insecurities as we strive for more effective, stress-free communication.</p>
<p>The very first point concerns ourselves, dear Teachers, and the atmosphere we create around us.<span class="Apple-converted-space">&nbsp; </span>Do our classrooms provide a safe learning space, where the individual is supported and respected, where mistakes are welcomed as experiments and the class works together as a group on their voyage of experience and discovery into the new language? Do we respect the learning pace of individual participants, knowing that each person must find his or her own way into the language? Do we offer a sufficient variety of activities and stimuli within the lesson, so that each person may fully benefit? Do we encourage and support discussion, both in small groups and in plenum, so that authentic communication is practiced from the earliest phases of learning? These are all questions I am fully conscious of in my own practice, knowing that I am not yet capable of implementing them fully at all times, limited as I am by own shortcomings as well as syllabi, marks, and other bureaucratic limitations. But I can, and I do, strive towards this goal.<span class="Apple-converted-space">&nbsp;</span></p>
<p>What actions can we, as learners, take to move beyond the fear of using a new language? The first point is to take stock of where we are now, at present, and use whatever tools in our possession to communicate, whether it is to address an audience at a conference or simply to order pizza and beer at an Italian restaurant. It is useless and discouraging to withhold our words and fantasise about a future perfection which we may very well never reach.<span class="Apple-converted-space">&nbsp;</span></p>
<p>Speaking of perfection, it is time to clear up once and for all that perfection in communication is unattainable and preposterous, even in our own mother tongue; misunderstandings, assumptions, and a lack of clarity accompany the messages people exchange every day. This ambiguity is what<span class="Apple-converted-space">&nbsp; </span>keeps our conversations alive and expresses our delightfully imperfect humanity.</p>
<p>Just like in sports, fluency is a result of practice, and not its prerequisite! A serious commitment to practice is fundamental to gain fluency and overcome insecurity, and this may take on many forms, such as enrolling in a language course, finding a tandem partner, travelling abroad and being obliged to survive on one’s limited language skills, or &#8211; don’t laugh &#8211; dating someone who speaks the language we are struggling to learn. This last point should not be underestimated: when we are in a relationship, we will (hopefully) soon tire of whispering “<i>Je t’aime</i>” into his or her ear and seek communication at a deeper level, thus quickly developing fluency and a feel for the nuances of the language.</p>
<p>And finally, there’s the “back-door” approach to familiarising oneself with a new language: if the idea of spending 4 hours a week of precious free time cooped up in a language course doesn’t sound too attractive, we can explore the culture, history, art, music, cuisine, sports, or whatever else surrounds the language we fear and slowly start experiencing it indirectly. Eventually, we will find ourselves singing along to Ed Sheeran’s lyrics fluently and ordering “<i>Orecchiette alle cime di rapa</i>” (Italian ear-shaped pasta with turnip greens, a specialty from Apulia) without a care in the world.<span class="Apple-converted-space">&nbsp;</span></p>
<p>Let’s never forget that language is a mere tool that facilitates communication, not an end to itself. Perfect grammar and an encyclopaedic vocabulary, without the self-confidence to speak, will have rendered all our study and memorisation useless.</p>
<p>So here it is, my own imperfect contribution to the discussion about fear as it relates to language learning. I believe there’s a need for a conversation about this issue that blocks us all from time to time and look forward to continuing our conversation in the comments below.<span class="Apple-converted-space">&nbsp; </span>My Math inadequacy has fortunately not held me back all that much, as I chose a career far removed from the realm of calculus and algebraic expression, but it remains a small, private kernel that feeds my feelings of insecurity.<span class="Apple-converted-space">&nbsp;</span></p>
<p>And now please excuse me while I go and work on my times tables.<span class="Apple-converted-space">&nbsp;</span></p>
<p>P.S. If you are interested in reading about overcoming fear from a very different perspective, Alex and Bo, respectively my sister and brother-in-law, own and manage a skydiving center in Wisconsin, USA. On their website, there’s a very interesting article on overcoming fear as it relates to skydiving. Fear is fear, whether it’s mathematics or skydiving.<span class="Apple-converted-space">&nbsp;</span></p>
<blockquote class="wp-embedded-content" data-secret="BTWnOWJEkz"><p><a href="https://wisconsinskydivingcenter.com/blog/top-fears-in-skydiving-how-to-overcome-them/">Top Fears In Skydiving &#038; How To Overcome Them</a></p></blockquote>
<p><iframe class="wp-embedded-content" sandbox="allow-scripts" security="restricted" src="https://wisconsinskydivingcenter.com/blog/top-fears-in-skydiving-how-to-overcome-them/embed/#?secret=BTWnOWJEkz" data-secret="BTWnOWJEkz" width="600" height="338" title="&#8220;Top Fears In Skydiving &#038; How To Overcome Them&#8221; &#8212; Wisconsin Skydiving Center" frameborder="0" marginwidth="0" marginheight="0" scrolling="no"></iframe></p></div>
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<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/conquering-the-monster-overcoming-the-fear-of-communicating-in-a-foreign-language/">Conquering the Monster: Overcoming the Fear of Communicating in a Foreign Language</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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		<title>New beginnings</title>
		<link>https://www.wordsinprogress.at/new-beginnings/</link>
				<comments>https://www.wordsinprogress.at/new-beginnings/#comments</comments>
				<pubDate>Mon, 26 Mar 2018 08:31:59 +0000</pubDate>
		<dc:creator><![CDATA[Christine Kolacio]]></dc:creator>
				<category><![CDATA[General]]></category>

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				<description><![CDATA[<p>“Change is hard at first, messy in the middle, and gorgeous at the end” - Robin Sharma<br />
 <br />
After months of work and a generous dose of procrastination, my new website is finally launching, as well as this companion blog.</p>
<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/new-beginnings/">New beginnings</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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<h1>New beginnings</h1>
<h3></h3>
<h3>“<em>Change is hard at first, messy in the middle, and gorgeous at the end</em>” &#8211; Robin Sharma</h3>
<h3></h3>
<p><strong>After months of work and a generous dose of procrastination, my new website is finally launching, as well as this companion blog.</strong></p>
<p>The desire to write has been with me for years, though my ideas on the subject were rather vague: I knew I’d write about languages and culture, but I also imagined occasional interventions to clarify or “fix” grammar bugs and suggest answers to technical questions related to language learning, essentially the questions my students bring to class. But more than anything, I wanted to provide a space which encouraged an active and informal exchange of ideas between educators, students, and plain old language geeks.</p>
<p>So here I am, writing my first entry, the way forward no clearer than it was months ago, trusting that along the way, I’ll figure out where I’m going: I’m also hoping for your suggestions, requests, ideas, and feedback to provide the proverbial breadcrumbs that’ll keep me on the right path, your presence accompanying me all the way.</p>
<p>I’ve learned that it’s never too late for a new start if you’re willing and able to think beyond the familiar rhythm of your life. Maybe just a small tweak will be sufficient to get you out of bed with new enthusiasm every morning. Or perhaps it’s time for a major overhaul in one or more areas of your life. I know that I can pinpoint the beginning of all my changes to one day, as I was sitting, writing lists on a piece of flowery notepaper. I was weary of my regular teaching, which had started to feel repetitive, and worried that my lack of enthusiasm might start to transpire.</p>
<p>So I made a list entitled “What I Can Offer”, and included any idea that came to mind. Some were sensible, like “English for Specific Purposes” or “Fluency Training” ; others were a bit more random: “Italian Vegetarian Cooking in English for Japanese ladies”. How about that for a unique intercultural experience? Needless to say, that particular course never made the final cut.</p>
<p>So I slowly worked on making change happen. I spoke to everyone who’d listen and gathered advice, often discordant, which needed to be sorted through. And then I began putting my plans into action, not sensibly, one at a time, but the whole lot at once, to the point that I’ve spent the last year feeling completely overwhelmed by half-finished projects competing for my time and attention and keeping me awake at night.</p>
<p>But gradually, pieces are falling into place and some of the fog has cleared from the path ahead. And along with the fog, a lot of the uncertainty is dissipating as well: there <em>is</em> a path ahead, change <em>is</em> possible even later on in one’s working life! And the added bonus is that the familiar, well-oiled courses which no longer gave me the same satisfaction have now reacquired their spark as new enthusiasm and strategies accompany me.</p>
<p>I’m looking forward to enjoying the “gorgeous” phase of change promised by Robin Sharma in his quote above, and I hope you’ll be there to share it with me.</p>
<p>Welcome to us all!</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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