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		<title>Confronting an Empty Page: How to Write When Inspiration Forsakes you</title>
		<link>https://www.wordsinprogress.at/confronting-an-empty-page-how-to-write-when-inspiration-forsakes-you/</link>
				<pubDate>Mon, 21 May 2018 05:52:38 +0000</pubDate>
		<dc:creator><![CDATA[Christine Kolacio]]></dc:creator>
				<category><![CDATA[Communication]]></category>
		<category><![CDATA[Emotions]]></category>
		<category><![CDATA[Writing]]></category>

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				<description><![CDATA[<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/confronting-an-empty-page-how-to-write-when-inspiration-forsakes-you/">Confronting an Empty Page: How to Write When Inspiration Forsakes you</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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<h1>Confronting an Empty Page: How to Write when Inspiration Forsakes you.</h1>
<h3></h3>
<h3>“This is how you do it: you sit down the keyboard and you put one word after another until it&#8217;s done. It&#8217;s that easy and that hard.&#8221; Neil Gaiman</h3>
&nbsp;
<h3> Staring at an empty page, that seems to get bigger, more desolate and blank and impossible to fill the longer I wait;<span class="Apple-converted-space"> </span>panic sets in, as my assignment is due tomorrow, and I’ve been thinking about it for a week now but somehow my ideas have run dry, my imagination has taken a holiday, and my motivation is… unmotivated.</h3>
Do you perhaps recognise the situation I’ve just described? Have you ever asked yourself what on earth you should write and how you are going to produce a coherent text when you lack inspiration?

Well, I must confess to being a victim of this predicament this evening, as I sit down to write my weekly blog article, which I’m committed to publish on Mondays. I had jotted down some notes on a topic I was interested in a few days ago, but they were somehow swallowed up by the chaos of my desk and now I’m left completely alone: the uninhabited page and me. So I thought perhaps we could face this common terror together, and try to find a way out of it. I have a stock of strategies I’ve learned to rely on when I’m stuck; curiously, there isn’t a single one that works consistently, which is why it’s useful to have more than one arrow in my quiver (i.e. different strategies to use in solving a problem).

One thing that often helps me begin to write is having some sort of outline, even just a list of thoughts; I know that each point will correspond to about a paragraph, which I can then shuffle around until I find the most logical order.<span class="Apple-converted-space">  </span>Sometimes, however, an outline can restrict the free flow of thoughts, so don’t hesitate to skip it and allow yourself to start writing, stream of consciousness, anything vaguely related to your topic. What’s really important in this first phase is to overcome the block and fill the page with words, any words.

Dr. Brené Brown, who researches and writes about shame and vulnerability, author of several books and an excellent TED Talk, encourages us in <i>Rising Strong</i> to write “unedited, uncensored narratives of our lives”, and quotes the advice of another author, Anne Lamott:

“The only way I can get anything written at all is to write really, really sh*tty first drafts. The first draft is the child’s draft, where you let it all pour out, romp all over the place, knowing that no one is going to see it…” &#8211; Anne Lamott, <i>Bird by Bird </i>(quoted in B. Brown, <i>Rising Strong</i>)<span class="Apple-converted-space"> </span>

Sometimes, the lack of pressure and judgement of a “Sh*tty First Draft” is exactly what we need to build momentum. If it’s sh*tty, it’s not supposed to be perfect. The editing phase will come later, once the fear has subsided;<span class="Apple-converted-space">  </span>and often we’ll be surprised to discover that most of what we’ve written can be saved, once it’s been cleaned up a little!

A good way of practicing stream of consciousness writing is by keeping a journal. The discipline of regularly confronting our thoughts on paper is a great help in overcoming that terror of the blank page.<span class="Apple-converted-space">  </span>Julia Cameron, in her book <i>The Artist’s Way</i>, suggests the practice of writing “Morning Pages”, which are three pages of longhand writing to be done possibly first thing in the morning. (More about this here: <a href="http://juliacameronlive.com/basic-tools/morning-pages/">http://juliacameronlive.com/basic-tools/morning-pages/</a> ). I did this for a few months last summer and found that the act of sitting down to write and reflect each morning brought a heightened sense of awareness that flowed on into the rest of the day.

Furthermore, there’s no rule that states that we have to start writing from the beginning and follow through to the end. If you’re stuck with one bit, skip it and tackle another. Some thoughts are harder to express than others: even in speaking, we often jump forward or return to something we’ve already said and rephrase it or add details or depth. It’s natural to follow this method when we write, as well. In the editing phase, we can make sure we have a more linear structure, which is easier for the reader to follow.

If none of these strategies work, it might be time to get up and do something else. As a master-procrastinator, this piece of advice is rather dangerous for me to follow, as I often find myself inventing tasks to avoid working on what needs to be done. However, inspiration may hit while you’re taking a walk in the woods, having a heart-to-heart chat with a friend, even choosing a new pair of shoes.<span class="Apple-converted-space">  </span>When I have an article or paper due, I often keep a pad of paper and a pen on my nightstand, as I sometimes wake up in the middle of the night with a brilliant new idea or the perfect conclusion: if I don’t write it down immediately, it’ll be lost by morning.

This short article didn’t seem to want to come to life just an hour ago, but we’ve reached the end, together. Once you get going, words and thoughts just seem to follow one another. There is a popular saying in food-obsessed Italy which is rather appropriate here: “<i>L’appetito vien mangiando</i>”, your appetite will develop as you eat. Write, and you’ll be hungry for more!

&nbsp;

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<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/confronting-an-empty-page-how-to-write-when-inspiration-forsakes-you/">Confronting an Empty Page: How to Write When Inspiration Forsakes you</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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		<title>10 Tips to Make your Writing Shine &#8211; Part 2, Style</title>
		<link>https://www.wordsinprogress.at/51469/</link>
				<pubDate>Mon, 14 May 2018 07:28:24 +0000</pubDate>
		<dc:creator><![CDATA[Christine Kolacio]]></dc:creator>
				<category><![CDATA[Communication]]></category>
		<category><![CDATA[Writing]]></category>

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				<description><![CDATA[<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/51469/">10 Tips to Make your Writing Shine &#8211; Part 2, Style</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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				<div class="et_pb_text_inner"><h1> 10 Tips to Make your Writing Shine &#8211; Part 2, Style</h1>
&nbsp;
<h3> &#8220;Writing is the painting of the Voice&#8221; &#8211; Voltaire</h3>
&nbsp;
<h3> <b>This week I’d like to address the more elusive topic of style, which is as personal as it is important. Our moods, emotions, opinions, and even our personalities come across in our writing; through our technique, we can successfully steer our thoughts in the direction we prefer. Voltaire’s words which introduce this article perfectly express the nature of writing: our words are a verbal work of art.</b></h3>
Last week, I published my first five basic tips to help your writing really stand out. These related to the more structural elements of writing. You can check out last week’s blog post for more details. However, to quickly recap, they were…

1. <b>Check your spelling, punctuation, grammar, and syntax.</b>

2. <b>Use any available resources, but remember: all translations are not created equal!</b>

3.<b> Pay close attention to the type of text you are writing.</b>

4<b>. Choose your register, or level of formality, carefully.</b>

5. <b>Know your audience: whom are you writing for?</b>

&nbsp;

And now, here are some of the key stylistic elements to consider when writing:

6.<b> Keep it simple.</b>
<ul>
 	<li><b>Avoid Wordiness: </b>Contrary to other languages, elegance in English writing is achieved by a crisp, clear style, where redundant and excessive words (called “wordiness”) are avoided.<span class="Apple-converted-space"> </span></li>
</ul>
<span class="Apple-converted-space">    </span>For example: “<i>Mary became better at being able to establish the defendant’s alibi</i>”. This<span class="Apple-converted-space"> </span>sentence contains too many redundant words and is confusing for the reader. It would be better to write: “Mary could better establish the defendant’s alibi”.
<ul>
 	<li><b>Keep your sentences short: </b>In many languages, sentences tend to run on for half a page and contain numerous key concepts. There is the constant risk of losing one’s way and needing to return to the beginning and re-read the same passage. In English, sentences tend to contain one key concept and are quite linear in their structure and easy to follow. This simplicity should not be confused with a lack of sophistication: on the contrary, complex concepts are addressed using specific vocabulary and a clear, essentialist style. In academic writing, the topic sentence will generally occur at the beginning of the paragraph, allowing the reader to more easily scan for gist.<span class="Apple-converted-space"> </span></li>
</ul>
<b>7. Edit like there’s no tomorrow.</b> Stephen King said: “To write is human, to edit is divine.” Allow your words to tumble onto the page at first, without too much restraint. Next, put some distance between yourself and your text, letting your first draft sit for a while. Once you return to it, read it with a critical eye and a merciless pen! Check for spelling and grammar mistakes; follow the thread of your thought throughout your sentences and make sure it is coherent. I find that reading my own written work out loud really helps me to spot mistakes and inconsistencies: a patient friend may serve the same purpose. When in doubt, try reformulating your thought in a clearer fashion; if that doesn’t work, eliminate it. If you are confused by what you’ve written, your reader will be clueless.

<b>8. Take pride in your writing. </b>This is one of the concepts that is nearest and dearest to my heart. Writing, even writing an essay for class or a short note, is a highly creative act, an expression of the author’s soul. (Yes, OK, that might sound like an exaggeration, but I really believe that the written word wields tremendous power!) I’d urge you to care deeply about the words you put on paper, to let them speak for you and to make you proud!

<b>9. Dare to experiment. </b>Experiment? Being urged to experiment after having been told to edit mercilessly doesn’t seem to make much sense, but in order to develop as a writer, we need to be ready to go beyond the proverbial comfort zone, beyond the types of text and turn of phrase we are familiar with. Words are like plasticine: we can model them into an infinite number of combinations to express our every thought and emotion. Play with them, listen for interesting sound combinations, for unusual rhythms that might support your intention. Use metaphors and analogies to illustrate your point. Be free! And then, if your freedom has led you too far from your original path, you can always retrace your steps and edit out some of the failed experiments, but you will still be transformed as a writer: you will have dared to venture into new and unchartered territory, having grown as a result of the experience.<span class="Apple-converted-space"> </span>

<b>10. Find your voice.</b> Just as we do when we speak, we present ourselves to others in our writing as well. I believe that important questions to ask ourselves regard our identity as writers: “Who am I as an author? How do I want to come across to my readers? Though I’m not advocating we all strive to become the next Goethe or Shakespeare, authors whose writing was immediately identifiable, I believe that having reflected upon our identity as writers will allow our thoughts and opinions to come across more clearly on paper.<span class="Apple-converted-space">  </span>Finding and developing our voice is a process that reflects our own evolution and will accompany us throughout our lives.<span class="Apple-converted-space"> </span>

Hoping that you may be inspired to try out something new in your writing this week, or that you have gone a step further in gaining awareness of who you are as an author, I’ll close for now. Don’t hesitate to continue the conversation in the comments below. Happy writing!

Other interesting articles about writing:

&#8220;Be a Better Writer in 15 Minutes&#8221; (Ted-Ed)

<a href="http://blog.ed.ted.com/2014/05/29/be-a-better-writer-in-15-minutes-4-ted-ed-lessons-on-grammar-and-word-choice/"><b>http://blog.ed.ted.com/2014/05/29/be-a-better-writer-in-15-minutes-4-ted-ed-lessons-on-grammar-and-word-choice/</b></a>

“Overused adjectives” (Grammarly)

<a href="https://www.grammarly.com/blog/common-adjectives/?utm_source=Facebook_org&amp;utm_content=&amp;utm_medium=social&amp;utm_campaign=cleanwriting&amp;utm_id=R9XpyOCS4oHt7O"><b>https://www.grammarly.com/blog/common-adjectives/?utm_source=Facebook_org&amp;utm_content=&amp;utm_medium=social&amp;utm_campaign=cleanwriting&amp;utm_id=R9XpyOCS4oHt7O</b></a>

“24 Quick Tips that will Improve your Writing” (Grammarly)

<a href="https://www.grammarly.com/blog/writing-tips/?utm_content=&amp;utm_source=Facebook_org&amp;utm_medium=social"><b>https://www.grammarly.com/blog/writing-tips/?utm_content=&amp;utm_source=Facebook_org&amp;utm_medium=social</b></a>

“10 Grammatical Errors that Damage Credibility” (Grammarly)

<a href="https://www.grammarly.com/blog/grammatical-errors/?utm_content=&amp;utm_source=Facebook_org&amp;utm_medium=social&amp;utm_campaign=grammar&amp;utm_id=9vWChuoB6brm5f"><b>https://www.grammarly.com/blog/grammatical-errors/?utm_content=&amp;utm_source=Facebook_org&amp;utm_medium=social&amp;utm_campaign=grammar&amp;utm_id=9vWChuoB6brm5f</b></a>

“Everything you Should Know about Cleaning up your Writing” (Grammarly)

<a href="https://www.grammarly.com/blog/proofreading-tips-and-tools/?utm_content=&amp;utm_source=Facebook_org&amp;utm_medium=social&amp;utm_campaign=cleanwriting&amp;utm_id=5MVYhJnm9s0AkJ"><b>https://www.grammarly.com/blog/proofreading-tips-and-tools/?utm_content=&amp;utm_source=Facebook_org&amp;utm_medium=social&amp;utm_campaign=cleanwriting&amp;utm_id=5MVYhJnm9s0AkJ</b></a>

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<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/51469/">10 Tips to Make your Writing Shine &#8211; Part 2, Style</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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		<title>Conquering the Monster: Overcoming the Fear of Communicating in a Foreign Language</title>
		<link>https://www.wordsinprogress.at/conquering-the-monster-overcoming-the-fear-of-communicating-in-a-foreign-language/</link>
				<pubDate>Mon, 30 Apr 2018 18:56:39 +0000</pubDate>
		<dc:creator><![CDATA[Christine Kolacio]]></dc:creator>
				<category><![CDATA[Communication]]></category>
		<category><![CDATA[Emotions]]></category>

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<h1>Conquering the Monster: Overcoming the Fear of Communicating in a Foreign Language</h1>
<h3></h3>
<p>&nbsp;</p>
<h3>&#8220;Thinking will not overcome fear but action will.&#8221; &nbsp;&#8211; W. Clement Stone</h3>
<h3></h3>
<p>I’m scared of Math. It’s a deep, visceral fear, that triggers automatically whenever I’m confronted with the need for rapid and public calculations, and it’s held me back on numerous occasions. Are you familiar with the image of a deer unable to move, even to save its own life, as headlights rapidly approach? Perhaps you can relate with a fear of your own?</p>
<p>Fear paralyses us and stops us from accomplishing our goals, from communicating with those around us, and from experiencing life at its fullest. It may eventually take over our lives, limiting our sphere of movement to such a degree that we pull back, retreating into our shell and becoming an incomplete and frustrated version of ourselves.</p>
<p>On a par with Mathematics is the fear of communicating in a foreign language. Over the years, I’ve heard enough stories from my students of their horrific experiences with language-learning to realise that this fear exists in many people who seek support in improving their foreign language skills.<span class="Apple-converted-space">&nbsp; </span>I believe the primary source of this terror lies in negative or traumatic experiences with past teachers, who were either incompetent themselves, or who delighted in torturing their students with ridicule and an abusive red pen. Success in many parts of the world is equated with high marks, which imply the absence of mistakes and the faithful regurgitation of the information supplied by the teacher. But language is alive, in constant evolution, and a beautiful, creative act. It cannot be imprisoned by a wall of conjugations and syntax.<span class="Apple-converted-space">&nbsp;</span></p>
<p>The natural consequence of this dreadful habit of punishing mistakes is that learners of a language live in constant fear of being ridiculed by their instructors as well as their peers unless their grammar skills are perfect and vocabulary beyond reproach. In persons who tend towards a natural reserve or feelings of insecurity, and for whom spoken communication is difficult, even in their own language, this devastating cocktail of terrors has the power of shutting them down completely.<span class="Apple-converted-space">&nbsp;</span></p>
<p>The quote that introduces this article encourages us to overcome our fears by taking action rather than by thinking and obsessing over the fear itself; indeed, I’m convinced there is a series of actions we can take to conquer our insecurities as we strive for more effective, stress-free communication.</p>
<p>The very first point concerns ourselves, dear Teachers, and the atmosphere we create around us.<span class="Apple-converted-space">&nbsp; </span>Do our classrooms provide a safe learning space, where the individual is supported and respected, where mistakes are welcomed as experiments and the class works together as a group on their voyage of experience and discovery into the new language? Do we respect the learning pace of individual participants, knowing that each person must find his or her own way into the language? Do we offer a sufficient variety of activities and stimuli within the lesson, so that each person may fully benefit? Do we encourage and support discussion, both in small groups and in plenum, so that authentic communication is practiced from the earliest phases of learning? These are all questions I am fully conscious of in my own practice, knowing that I am not yet capable of implementing them fully at all times, limited as I am by own shortcomings as well as syllabi, marks, and other bureaucratic limitations. But I can, and I do, strive towards this goal.<span class="Apple-converted-space">&nbsp;</span></p>
<p>What actions can we, as learners, take to move beyond the fear of using a new language? The first point is to take stock of where we are now, at present, and use whatever tools in our possession to communicate, whether it is to address an audience at a conference or simply to order pizza and beer at an Italian restaurant. It is useless and discouraging to withhold our words and fantasise about a future perfection which we may very well never reach.<span class="Apple-converted-space">&nbsp;</span></p>
<p>Speaking of perfection, it is time to clear up once and for all that perfection in communication is unattainable and preposterous, even in our own mother tongue; misunderstandings, assumptions, and a lack of clarity accompany the messages people exchange every day. This ambiguity is what<span class="Apple-converted-space">&nbsp; </span>keeps our conversations alive and expresses our delightfully imperfect humanity.</p>
<p>Just like in sports, fluency is a result of practice, and not its prerequisite! A serious commitment to practice is fundamental to gain fluency and overcome insecurity, and this may take on many forms, such as enrolling in a language course, finding a tandem partner, travelling abroad and being obliged to survive on one’s limited language skills, or &#8211; don’t laugh &#8211; dating someone who speaks the language we are struggling to learn. This last point should not be underestimated: when we are in a relationship, we will (hopefully) soon tire of whispering “<i>Je t’aime</i>” into his or her ear and seek communication at a deeper level, thus quickly developing fluency and a feel for the nuances of the language.</p>
<p>And finally, there’s the “back-door” approach to familiarising oneself with a new language: if the idea of spending 4 hours a week of precious free time cooped up in a language course doesn’t sound too attractive, we can explore the culture, history, art, music, cuisine, sports, or whatever else surrounds the language we fear and slowly start experiencing it indirectly. Eventually, we will find ourselves singing along to Ed Sheeran’s lyrics fluently and ordering “<i>Orecchiette alle cime di rapa</i>” (Italian ear-shaped pasta with turnip greens, a specialty from Apulia) without a care in the world.<span class="Apple-converted-space">&nbsp;</span></p>
<p>Let’s never forget that language is a mere tool that facilitates communication, not an end to itself. Perfect grammar and an encyclopaedic vocabulary, without the self-confidence to speak, will have rendered all our study and memorisation useless.</p>
<p>So here it is, my own imperfect contribution to the discussion about fear as it relates to language learning. I believe there’s a need for a conversation about this issue that blocks us all from time to time and look forward to continuing our conversation in the comments below.<span class="Apple-converted-space">&nbsp; </span>My Math inadequacy has fortunately not held me back all that much, as I chose a career far removed from the realm of calculus and algebraic expression, but it remains a small, private kernel that feeds my feelings of insecurity.<span class="Apple-converted-space">&nbsp;</span></p>
<p>And now please excuse me while I go and work on my times tables.<span class="Apple-converted-space">&nbsp;</span></p>
<p>P.S. If you are interested in reading about overcoming fear from a very different perspective, Alex and Bo, respectively my sister and brother-in-law, own and manage a skydiving center in Wisconsin, USA. On their website, there’s a very interesting article on overcoming fear as it relates to skydiving. Fear is fear, whether it’s mathematics or skydiving.<span class="Apple-converted-space">&nbsp;</span></p>
<blockquote class="wp-embedded-content" data-secret="BTWnOWJEkz"><p><a href="https://wisconsinskydivingcenter.com/blog/top-fears-in-skydiving-how-to-overcome-them/">Top Fears In Skydiving &#038; How To Overcome Them</a></p></blockquote>
<p><iframe class="wp-embedded-content" sandbox="allow-scripts" security="restricted" src="https://wisconsinskydivingcenter.com/blog/top-fears-in-skydiving-how-to-overcome-them/embed/#?secret=BTWnOWJEkz" data-secret="BTWnOWJEkz" width="600" height="338" title="&#8220;Top Fears In Skydiving &#038; How To Overcome Them&#8221; &#8212; Wisconsin Skydiving Center" frameborder="0" marginwidth="0" marginheight="0" scrolling="no"></iframe></p></div>
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<p>The post <a rel="nofollow" href="https://www.wordsinprogress.at/conquering-the-monster-overcoming-the-fear-of-communicating-in-a-foreign-language/">Conquering the Monster: Overcoming the Fear of Communicating in a Foreign Language</a> appeared first on <a rel="nofollow" href="https://www.wordsinprogress.at">words in progress</a>.</p>
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